Works


ORCHESTRAL: Triangle for orchestra, 1963-64; Four Dimensions in TimeIV, ‘Illuminations’, mixed chorus, orchestra and tape, 1967; Four Dimensions in TimeV, ‘1918’ orchestra and tape, 1968, revised 1976; Four Dimensions in TimeVII, orchestra and tape,1970; Alpha Omega recidiva, orchestra and tape,1989; Finaleph for orchestra, 1990; NonSymphony No.5 (of the Endings) for orchestra, spectacular stage of music, 1988-92; Quindecimortuorum for 1 oclock AM, 2 percussion, wind orchestra, 1994; PreSymphony No. 6 (of the Beginnings) for orchestra, spectacular stage of music, 1996-2000; MultiSymphony No. 1, mixed chorus, orchestra: spectacular stage of music, 2002; PostSymphony No. 2 for orchestra, spectacular stage of music, 2003, Music of the First 14 Minutes of a Fatal Hour for orchestra, 2014.

 

CHAMBER MUSIC: Sonata for Clarinet and Piano, 1962; Poliritmii for Piano and Clarinet, 1963; Combinations in Circles, cello, ensemble (flute, clarinet, bassoon, trombone, viola) and tape, 1965; Concentric, variable ensemble, tape, 1969; Spectacle pour un instant, piano, variable ensemble, tape, 1974; Le chadouf de la porte, viola/bass, percussion and tape, 1976; Suggestions IV, piano, 1979; Metabizantinirikon (spectacular stage of music), clarinet/saxophone(s,al,ten)/violin/viola, tape, 1984; Centrifuga, piano, tape, 1985; AlphaOmega, saxophones (al,ten,b), violin, percussion, tape, 1988; IN-PAR, trombone, tape, 1988; Finalis-septima, clarinet, bassoon, violin, cello, piano, 2 percussion and tape, 1989; Finalpha, trombone, 2 percussion, tape, 1990; Finalis, variable ensamble and tape, 1991; String Quartet for Midnight, 1993; DanielPentAbsorbOR, saxophone (al, ten, bar, c.b), tape, 1995; NegantiDiaDua for 2 oclock AM, voice, saxophone (al), trombone, piano, percussion, tape, 1995; Je dis comme, voice, piano, 1996; PhosisTriPercMetaMor for 3 oclock AM, French horn , 6 percussion, tape, 1996; Septuor for 4 oclock AM, oboe, clarinet, bassoon, violin, cello, piano, percussion, tape, 1997; QuintaBeit for 5 oclock AM, voice, oboe, clarinet, bassoon, 2 trumpets, violin, cello, piano, 6 percussion, tape, 1998; BeitSonorum for 6 oclock AM, oboe, clarinet, bassoon, violin, cello, piano, 4 percussion, tape, 1999; BeitIntervallum for 7 oclock AM, clarinet, violin, piano, 4 percussion, tape, 2000; BeiTrissonum for 8 oclock AM, 2 flutes, violin, viola, accordion, tape, 2001; rouaUruauor for 9 oclock AM, flute, tuba, piano, percussion, tape, 2002; OUA for 10 oclock AM, flute, clarinet, trombone, violin, piano, 2 percussion, tape, 2002-03; OU for 11 o’clock AM, flute, clarinet, horn, trombone, tuba, 2 percussions, piano, violin, cello and tape, 2004; A=1 a music for Noon, 24 instrumentalists or orchestra and tape, 2005; ASCENSIO for saxophone, 6 percussions and tape, 2005; ErAImII or EAE ou EA for 1 o’clock PM, flute, clarinet, bassoon, horn, trumpet, trombone, percussion, piano, violin, cello and tape, 2006; EUI or ErUImII for 2 o’clock PM, clarinet, viola, percussion, piano and tape, 2007; CRISTIASCENSICELLO for flute, clarinet, saxophone (s,al), horn, trombone, harp, piano-celeste, percussion and cello, 2007; AM UAT for piano, voice and bass, 2008; A T for saxophones, viola and tape, 2008; OUIEIUO for 3 o’clock PM, flute, tuba, piano, percussion, tape, 2008-2009; ITRIssonumBE oder ssonumBEITRI for 4 o’clock PM, 2 flutes, violin, viola, accordion, tape, 2009; ITintervallumBE or vallumBEITinter for 5 o’clock PM, clarinet, violin, piano, 4 percussion, tape, 2009-2010, ITsonorumBE for 6 o’clock PM, oboe, clarinet, bassoon, violin, cello, piano, percussion, tape, 2010; BEseptimaIT for 7 o’clock PM, 5 percussions, 2 trumpets, oboe, clarinet, bassoon, violin, cello, piano and tape, 2011; ORsept for 8 o’clock PM , oboe, clarinet, bassoon, violin, cello, piano, percussion, tape, 2011-12; PerMETAMor or MorMETAPer for 9 o’clock PM, horn and 6 percussionists + tape, 2013; duaNEGdia oder diaNEGdua for 10 o’clock PM , trombone, flute, percussion, piano, voice and tape, 2013-14; NATIVITAS QUINDECI for 11o’clock PM , for 11 instrumentalists (chamber orchestra), 2012; Muzica primelor 17 minute ale unei ore Fatale – pentru parter, orchestră, 2014; Parallel Destinies for bass clarinet, clarinet and tape, 2015; Music of the Minutes 17- 30 of a Fatal Hour – for first floor, chamber orchestra, 2015; Music of the minutes 30-35 of a Fatal Hour – for second flour, 8 instrumentalists, 2015.

CHORAL: Two Madrigals for equal voices, 1960; Salve Regina, mixed chorus, organ, 1981; Lumina lina, mixed chorus, 1988

ELECTROACOUSTIC AND AMBIENTAL: Naturel Culturel, music for the peak of a mounting at sunrise, tape, 1973, revised in1983; Gradeatia, music for the ambience of a monastery, tape, 1982; Trisson, music around a temple, tape, 1986; Sonatu(h)r, music for sunset around a lake or in ameadow with blossomed trees, tape, 1987; Finalpha, music for subset, with clouded sky, before the tampest, or for the beginning and the end of a concert, 1990; Saecula Saeculorum, music for the end of a century, tape, 2000

CONCEPTUAL/MULTIMEDIA/PERFORMANCE(dance, films, slides, projections): Suggestions, variable ensemble, multimedia actions, 1968; Memorial, variable ensemble, multimedia actions, 1968; Will The King Die?!, player, clock, tape, multimedia actions, 1968; Grafological music, variable ensemble, multimedia actions, 1969; Ulysses, variable ensemble, tape, multimedia actions of moving music, 1972, revised 1982.

METAMUSIC: Semantics for n melomen, 1971-74

IMAGINARY MUSIC: Cromoson Song of Objects, 1974-75; Will You Be Able by Yourself?, 1976

RITES: Metabizantinirikon, individual and intimate practicing stage of music in a period of 9 months, 1985; Centrifuga, individual and intimate practicing stage of music, 1986;

Alpha – Omega, individual and intimate practicing stage of music, 1988; NonSymphony No. 5, nonspectacular stage of music (1.”The Tears’ Lake”- collective ritual around a lake, 2 individuel ritual-imaginary music in a period of 5 months), 1992; PreSymphony No. 6, nonspectacular stage of music in a period of 6 years, 2000; MultiSymphony No.1 nonspectacular stage of music in a period of 1 second or 1 minute, 2002; PostSymphony No.2, nonspectacular stage of music in a period of 2 hours, 2003.



Awards

7 annual prizes of the Society of the Romanian Composers and Musicologists: 1980, 1982, 1987, 1990, 1993, 1997, 2010, 2013

The Romanian Academy Prize (1980)

The "Aaron Copland" International prize for composition (U.S.A. - 1970)

Officer 1st class of the National "Cultural Merits" Order, 2004

2 Prizes from Group for experimental music of Bourges (France) - 1980, 1982

Prize of the International Confederation of Electro-acoustic Music (C.I.M.E.) - 1985

The honorary medal "Tristan Tzara" (for special contributions to the emancipations of the avant-garde in the arts) -1996